The Formation and Expression of Graham Greene's Artistic Style

Abstract

In this article, Graham Greene’s artistic style is deeply influenced by the socio-political landscape of 20th-century England. While his works have been widely analyzed, a gap remains in understanding how his literary techniques reflect the psychological and moral dilemmas of his characters. This study employs a qualitative literary analysis, focusing on Greene’s early novels, Inside Man and The Name of the Movement, to explore his depiction of human ambivalence and ethical conflicts. By examining primary texts and secondary scholarly interpretations, the research identifies how Greene integrates elements of realism and romanticism to portray the complexities of the "inner self." Findings indicate that Greene’s protagonists struggle with moral contradictions, influenced by historical events such as the Ruhr crisis and England’s labor movements. The results highlight the interplay between personal conscience and societal pressures in his narratives. Furthermore, the study underscores the implications of Greene’s psychological depth in modern literature, demonstrating its relevance in contemporary discussions on morality, identity, and existential struggles. These findings contribute to the broader literary discourse on character development, the evolution of psychological realism, and the socio-historical impact of literature.